Errata Concerning the article: Starrs, Bruno D. 2016. Self-censorship in Bruneian Literature and Journalism. Aesthetique Journal for International Literary Enterprises (AJILE) 2 (1): 1-8. The passage below (pp. 3-4), extracted from Starrs’ article, contains several errors—both factual and misleading: "Un-redacted, fortunately, is t
Utopia, Sexuality and Economy: A Reading of Sam Riviere’s 81 Austerities Arul Benito Gerard A., Indian Institute of Technology, Hyderabad In this article, I argue that Sam Riviere’s 81 Austerities (2012) redefines contemporary understanding of sexuality and economy. From understanding sexuality in terms of discontent with the established economic order to the concepti
Self-Censorship in Bruneian Literature and Journalism Dr D. Bruno Starrs, Queensland University of Technology, Australia Abstract Brunei’s government is very active in censoring non-Islamic cultural artefacts, including English language literature. This paper examines two Bruneian novels, H. K. Lim’s Written in Black and Amir Falique’s The Forlorn Journey,
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Food as a Mnemonic Discourse: A Culinary Analysis of Nikki Giovanni’s Symphony of the Sphinx and Naomi Shihab Nye’s Arabic Coffee Krishna Sukumaran K., Guest Faculty, Dept. of English, Christ College, Irinjalakuda Abstract Food is a complex phenomenon with numerous levels of semantic implications.
Michael Ondaatje: A Complex Network of Affiliations Dr. Md. Rakibul Islam, Assistant Professor of English, AMU, West Bengal Abstract Michael Ondaatje, a Sri Lankan-born Canadian writer, is better known for his Booker Prize winning fiction The English Patient. Michael Ondaatje left his homeland for England at the age of eleven and later moved to Canada in 1962. Ondaatje has a